Art Spiegelman, the graphic novel, the winner of the Pulitzer Award, Mouse, is a landmark in the reporting of the Holocaust and the discovery in serious comic art, but its full achievements are more remarkable and more eclastic. Art Spiegelman: Disaster is a muse, it originates in the 1960s as a co-cocaper of package trade; His co -founder of underground magazines draws an arcade (with Bill Griffith) and RAW (with his wife Francoise Mulie); In the shadow of No Towers, his September 11 reaction, inspired by the witness of the attacks at his house in Manhattan de Joss; Its controversial covers for the New Yorker (1993-2003) that made NYPD paint the office of the magazine; And his public response to the recent ban on Mouse by the school council in Tennessee. Spiegelman proves an eloquent leader through his provocative work, along with contemporaries (Robert Crum, Gary Panther) and more young cartoonists (Joe Sako, Jerry Kraft, Molly Krobel), inspired by the casual confrontation of spielman on personal traumatic themes.

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